Fidelity Wars #77: Ghibli Reggae – “Itsumo Nando Demo”

July 17th, 2010

As mentioned previously, there are a number of Studio Ghibli tribute / cover / rearrange albums out there, featuring versions of varying degrees of novelty of the classic Ghibli songs. One such album I recently stumbled over was Ghibli Reggae, featuring modern reggae versions of the Ghibli songs. I’m not too familiar with the reggae genre, but I’d expected it to have a more acoustic sound than these performances have, and I’m not sure to what extent it really is proper reggae or not. But the renditions are all the same rather nice, genre authenticity be damned, and the female vocalist has a great singing voice.

This week’s featured track is the reggae version of “Itsumo Nando Demo”, the ending song to Spirited Away. I used to think it was the best Ghibli song hands down, but over-exposure and the tune’s simplicity made me tire of it. This new version makes it sound fresh again.

Ghibli Reggae – “Itsumo Nando Demo”

Whatever Happened To My Mini CD EP Covers?

July 14th, 2010

I commissioned a friend of mine based in the USA to print the covers for my forthcoming mini CD EP. He does some small scale printing, mostly comics and small books and prints, and I’d asked if he’d be able to print some cardboard sleeves for me. Like these. He said that shouldn’t be a problem, and I sent him the art, asking if they’d come out alright, worried that there may be some distortion, and he assures me everything is fine.

On Saturday I received the covers, but I find out they’re not quite right. It sort of looks like two pieces of paper which have been laminated together, rather than cardboard which has been glued together. But what’s worse, the art is pixelated, giving it a very amateurish look.

So no spiffy professionally-looking cardboard covers for me, and now I have to find out some alternate way in which I can get the covers done, and invest more money towards making them.

Naturally, I have been in a bit of a funk about it, as I’d looked forward to getting my hands on my professional-looking cardboard sleeve covers. But I guess I’m at least glad I didn’t commission him to print the cover for my next album as well.

(Click on the images to view them in full size; the pixelation of the art isn’t apparent when they’ve been resized.)

Non-Buyer’s Remorse: They Might Be Giants’ Then: The Earlier Years

July 7th, 2010

I recently stumbled over a live version of a song by They Might Be Giants I hadn’t yet heard, entitled “She’s An Angel”. I was stunned by how great it was; their songs are a bit of a hit-and-miss affair with me, but this was definitely a solid hit. I was curious if it perhaps was to be found on their Then: The Earlier Years, a double CD compilation compiling their two earliest albums as well as some rarities which I’ve had on my wishlist for a few years now. I’ve wanted to buy it, but I’ve never seen it for under full retail price, and I rarely buy anything at full retail price.

My research revealed that, indeed, the song could be found on said compilation. Another good argument for buying it, or at least emphasising it when presenting friends and relatives with my wishlist next this Jul. But research also revealed that it was now out of production, and cheeky sellers on Amazon.com were charging over 80 USD for it. This ruined my mood for the evening, and I was left feeling moderately depressed until I went to bed.

It’s selling for the slightly more reasonable price of 28 USD through the band’s official website though, but that’s still a lot to pay, even if it’s a double album, and the retail price has been around 25 USD. It seems that it’s generally more expensive buying products directly from the artists (with a few exceptions), both through their websites and through their merchandising tables at their shows, which I’ve always found frustrating and ironic. Aren’t they cutting out at least one middle man when selling their own albums themselves? Possibly two, depending on what deal artists have with their record companies; usually they’ll let you have a certain amount of copies of your album for free, and will be charging you only the production costs for additional copies.

In any case, it’s rather annoying, and another case of non-buyer’s remorse. I could always buy it through the band’s website though, before they run out there as well, but then with the shipping of 6 USD, it’s a total of 34 USD for one album. That’s a lot of money. But maybe it’s worth it.

Fidelity Wars #76: Jasmin Wagner – “Männer Brauchen Liebe”

June 28th, 2010

After a healthy impromptu hiatus, I figured I’d try getting back into the blogging groove. One to two posts a week should certainly be doable, even when you have various backlogs calling for your attention, as well as various creative and social and financial obligations. Damn it all, I have a blog to write.

In the previous episode of Fidelity Wars, I was reminiscing about ex-happy hardcore princess Blümchen aka. Jasmin Wagner. After having released her best of collection in 2001, she retired her Blümchen moniker, only to return in 2006 as a proper modern pop artist under her real life name, Jasmin Wagner, with her album Die Versuchung – which translates to “the temptation”. I’m unsure how successful it was; Wikipedia indicates that it only reached 98 on the German charts, but the album has plenty of positive reviews over at the German Amazon. Overall, it’s a pretty okay radio pop album. Not exactly the kind of music that appeals to me, but it does have a couple of catchy tracks – one of which is the album’s opening number, “Männer Brauchen Liebe” – which Babel Fish tells me means “men needing love” – which is this week’s featured track.

Jasmin Wagner – “Männer Brauchen Liebe”

Fidelity Wars Volume 5

June 13th, 2010

Another fifteen track milestone has been reached in my weekly music column Fidelity Wars, so it’s time to compile another volume. Things have been going well, but I’ve gotten increasingly relaxed (or lazy) about reaching the weekend deadline I have set for myself. But at least the feature is still running, and has been running now for over a year, and I’ve no plans of stopping.

As tradition demands, you will find the track list below, collecting the last fifteen tracks from Fidelity Wars, as well as a convenient RAR-file neatly compiling them all.

Fidelity Wars Volume 5

  1. The Vitamin String Quartet – “Please, Please, Please Let Me Get What I Want”
  2. The Beautiful South – “Pretenders To The Throne”
  3. Sun – “Love Will Take Your Breath Away”
  4. Ghibli The Best II – “Kimi Wo Nosete (Carrying You)”
  5. Slagsmålsklubben – “Fixa Halvljuset”
  6. LM.C – “Sentimental PIGgy Romance”
  7. The Bobby Fuller Four – “Let Her Dance”
  8. K-ON! – “Watashi No Koi Wa Hotch Kiss” (Live Version)
  9. Fireflies – “Just Pretend”
  10. Orchestral Manoeuvres In The Dark – “Souvenir”
  11. Jungledyret Hugo – “Hulesangen”
  12. Kíla – “Epicy”
  13. Jónsi – “Animal Arithmetic”
  14. Tekken 6 – “Yodeling In Meadow Hill”
  15. Blümchen – “Gib Mir Noch Zeit” (Lagerfeuer-Remix 2000)

Fidelity Wars #75: Blümchen – “Gib Mir Noch Zeit” (Lagerfeuer-Remix 2000)

June 10th, 2010

In my younger high school days I lived on a steady diet of German (and occasionally Dutch) happy hardcore and eurodance music, pumped directly into my mind via Viva. One of my favourite acts during this period was Blümchen, which was the stage-name of young girl vocalist Jasmin Wagner. While her peppy, poppy happy hardcore was a big hit in her native country, she never really caught on in Sacandinavia until her song “Heut’ Ist Mein Tag”, borrowing its synth sound from ATB, another German act which had already managed to make it big abroad.

Now that I’ve blossomed into the suave connoisseur I am today, having branched off into the indie genre and beyond, Blümchen has had very limited playtime with me over the past decade or so. But some years back I stumbled over the re-release of Für Immer Und Ewig in a bargain bin, a Blümchen best-of collection (though the re-release has the much more dull and descriptive title Best Of, probably not wanting to scare off non-Germans). After thinking it over for perhaps a few days, as I tend to do when it comes to shopping decisions, I decided to buy it.

Für Immer Und Ewig collects most of the singles, but a few are, annoyingly, missing; these include “Sesam-Jam”, “Unter’m Weihnachtsbaum”, and “Blaue Augen”. Instead they’ve included several (perhaps more popular) non-single songs from the various albums. They’ve actually included more than half of the songs to be found from the first two albums, which seems a bit overkill, and reduces the incentive for consumers to buy the original albums – and their enjoyment if they still decide to do so. It comes with a DVD collecting all the music videos, which includes the videos for the three singles they decided to not include, making the omissions all the more glaring (not to mention annoying and baffling).

Other than singles and album cuts, the collection also includes some (I believe) exclusive remixes. My favourite of the bunch is definitely the remix of “Gib Mir Noch Zeit”, which removes all electronic elements from the song and makes it into a relaxed acoustic ballad which would fit right in at any modern coffee house. I would love to hear more of the songs given acoustic treatments. (I could only imagine what “Boomerang” would sound like if accompanied by an accordion, a recorder, and a tuba.) This song is my (somewhat delayed) featured track of the week.

Blümchen – “Gib Mir Noch Zeit” (Lagerfeuer-Remix 2000)

The Mountain Goats’ The Life Of The World To Come: The Movie

June 3rd, 2010

For this year’s Record Store Day – an annual event where artists come together to help support independent record stores – record label 4AD released a limited edition DVD of The Mountain Goats playing through the entirety of their latest album, The Life Of The World To Come. It was filmed by Rian Johnson at John Darnielle’s old school with no audience present aside from the small crew involved. 1500 copies of the DVD were released, and no stores in Norway participated in the event, but thanks to a kind and helpful fellow fan of the band, I was able to get myself a copy.

This intimate concert is performed by John Darnielle alone, using either the piano or the guitar, with Rachel Ware adding backing vocals on a few songs. The music video released for the album, “Ezekiel 7 And The Permanent Efficacy Of Grace”, is actually taken from this session, and it gives you a good idea of how the rest of the performance is like.

I wasn’t too keen on the band’s latest album, as I stated last year, but I’d heard that some people who weren’t too keen on the studio album actually enjoyed the film. I sort of did enjoy the film more than the album (though it may only be the novelty factor talking), but I didn’t enjoy it that much more. The songs sound roughly the same as on the album, and most of them meld together without any one of them really standing out. I was hoping a few of the songs would sound radically different from their studio counterparts, maybe hoping to find a rocking piano version of “Psalms 40:2″ or to hear any other songs intended written for either the piano or the guitar being performed on the opposite instrument, but no such luck. Throughout the performance John’s vocals sound a bit too loud to go with his gentle piano and guitar playing, whereas Rachel Ware’s backing vocals were, as on the album Heretic Pride, not loud enough, being merely a whisper in the background. Her contribution is a nice addition, though.

The DVD comes with a roughly 30-minute long Q&A session taken from one of the screenings of the film, and it’s pretty enjoyable. John Darnielle comes off as a pretty likable, humble, down-to-Earth guy, and you get to learn a few interesting tidbits. It also comes with a booklet with some information regarding each song performed, what they’re about and how they were conceived, except for “Ezekiel…” which is kept rather enigmatic. Fortunately the packaging on the DVD is better than on the album, and you can handle it with your bare hands without staining it. But unfortunately it is a bit taller and wider than that of a normal DVD cover, so it stands out a bit – worst case scenario, you may not be able to fit it into your dedicated DVD space.

In conclusion, it’s a neat product, definitely worth getting your hands on if you’re a fan. Just a shame about the album.

Fidelity Wars #74: Tekken 6 – “Yodeling In Meadow Hill”

June 1st, 2010

I have fond memories of renting the very first Tekken game for the PlayStation back in the day, then later on getting very excited when going to a shopping mall to purchase the sequel, Tekken 2. But my PlayStation was sold off to buy a Nintendo 64, and I’ve only owned Nintendo consoles since, so I haven’t been able to try any other game in the series since the second. The internet has allowed me to admire the various games’ character designs and ending cinematics though, but it’s not quite the same as actually getting to play them. At least I’ve had a couple of Mario games to quench my thirst for blood.

I’m not sure if the Tekken games have ever been known for their soundtracks or not (but I’m not sure if I’m able to tell good fighting game music from bad fighting game music, either).  Being curious, I gave the soundtrack for the latest installment, Tekken 6 a listen, and found that it had some pretty decent and catchy tracks, but one track stood out especially, which is this week’s featured track.

Tekken 6 – “Yodeling In Meadow Hill”

Achievements & Sideburns

May 26th, 2010

As there will be a class reunion taking place this Summer for one of my two high schools, which it looks like I’ll be attending, I’ve decided to let my sideburns grow again. These class reunion affairs seem to generally be about updating old classmates on what you’ve been doing and how your current life is like, and you naturally want to give the impression that you’ve done amazing things and that you’re living an awesome life. I don’t feel as if I’ve too much to show for the years since I finished high school; I’ve gotten a master’s degree in philosophy, and I’ve been dabbling with music and poetry, and that’s about it. So I figured, at least I should have some big bushy sideburns.

Am I Internet Famous Now?

May 25th, 2010

I’m following a number of video game related podcasts, one of which is The Oddcast over at 1UP.com. The podcast is hosted by a fun collection of characters, and generally they talk about the more amusing things that are going on in the video gaming world or on their website. As they’ve started taking e-mail questions, I figured I’d try to write them with a question I was genuinely curious about, namely what games are good to play when you’re hungover. I also thought it would be a good idea to write it in Engrish. Here’s the e-mail I sent.

Dear The Oddcast,

Please to be recommending good game for when hungover for happy enjoyable experience and matching service.

Thank you.

sincerely,
Eivind Kirkeby
(aka. EvilEivind)

As you may have guessed, they actually answered it! Made me feel very excited, though they kind of mangled it when they read it out loud – including my name, even though it’s a fairly common Norwegian name – and they seemed to be in a hurry to move on to other topics. Still, very exciting. I am now officially a part of video game podcasting history. I shall add it to my resumé.

I’ve taken the liberty of extracting the relevant portion of the podcast, and you may download it here. To summarise for those not able to or interested in listening to the actual excerpt, the games they recommended were: Twinkle Star Sprites, Seaman, Geometry Wars, and Flower. Be warned that a couple of those recommendations may be of the ironic variety.