Archive for November, 2009

Fidelity Wars #54: Monster & Maskiner – “Sometimes I Don’t Have Heartache”

Sunday, November 29th, 2009

(Delayed a week due to scientific theory reductionism.)

Sweden seems to be the place to be if you’re keen on professional chiptune / bitpop like music, with the two big bands in the genre being Pluxus and Slagsmålsklubben – both of which now sound more like proper and “serious” electronica as opposed to something you could hear in an old video game as they did in their earlier days.

Monster & Maskiner is a lesser known, less prolific Swedish bitpop band. They’ve released two albums, both now seemingly out of production and hard to come across, the last being Never Die! from 2005. I’m guessing the band’s not quite defunct as they have a MySpace page they seem to log into not too infrequently, but their official website hasn’t been updated since 2006. No idea if we’ll ever hear any more original music from them or not, or if their albums will ever come back into production.

This week’s pick is the simple and infectious tune “Sometimes I Don’t Have Heartache” from Monster & Maskiner‘s last (but hopefully not last last) album, which I’ve been frequently returning to throughout this week.

Monster & Maskiner – “Sometimes I Don’t Have Heartache”

The Graveyard Is A Very Short Computer Game

Thursday, November 19th, 2009

Graveyard

There’s a computer game called The Graveyard that’s available for a low price over at Steam. I’ve seen it once or twice when looking over the list of games available through that service, looking for possible bargains, but had never taken the time to read through the game’s description until recently. It reads:

The Graveyard is a very short computer game. You play an old lady who visits a graveyard. You walk around, sit on a bench and listen to a song. It’s more like an explorable painting than an actual game. An experiment with poetry and storytelling but without words.

Buying the full version of The Graveyard adds only one feature, the possibility of death. The full version of the game is exactly the same as the trial, except, every time you play she may die.

I’ve never quite seen a game description like this before, at least not one which I’m guessing was written by the developer or the publisher, through a service that’s supposed to promote and sell games. They might consider taking some  sort of marketing class as they put their own game in a fairly unflattering light, probably not inspiring too many to shell out cash for the full version, even if it’s currently only 4 EUR.

But apparently it’s more than just a waste of time according to this review, at least for those who’re open for a different gaming experience than your your typical fare, for those who aren’t averse to some experimentation with the medium. Though from the sound of it, something like 2 EUR might be a more reasonable price to pay for this, maybe even only 1 EUR, due to the short length (about ten minutes, according to the review) and limited replayability.

Graveyard 2Here’s my own shot at writing a slightly more flattering description of the game, without really having played it myself. It’s nothing great, perhaps a bit too pretentious and far reaching, but I think it puts their own game in a better light.

In The Graveyard you take on the role of an elderly woman, reminiscing about life and death as she rests on a bench, surveying the landscape. An experimentation with poetry and non-verbal storytelling, this short games serves as a stark reminder of our own morality. An experience unlike any other.

Hope they make enough money for a possible sequel though – this game is practically begging for a multiplayer mode! Who can make it to the bench first?

Fidelity Wars #53: Monomen – “Divide Divide”

Monday, November 16th, 2009

Early this year I picked up the EP for the Norwegian band Monomen at a stock clearance sale. (Which you can read about here.) The EP is simply entitled Monomen EP, has four tracks, and was released in 2006. The EP is totally okay; if home made neo synth pop from young adult Norwegians sounds like your thing, then it might be worth acquiring. Personally it didn’t really grab me, with the exception of one fairly catchy tune, which is this week’s selection – and is certainly worth the 5 kroner I spent on the EP.

Monomen – “Divide Divide”

Monomen EP

T-Shirts I’d Love To See #2

Thursday, November 12th, 2009

It takes two to tango, but only one to macarena. A retort I thought up when someone informed me that it takes two to tango, a phrase I’ve no idea what’s supposed to mean.

Life’s a party. I’m going to mingle. Actor Wally Wingert’s personal mantra, but with the word life instead of world.

Dad humans have to fight for freedome! Line taken from Half-Life Full-Life Consequences: Free Man.

Full-Life Consequences: Free Man

Let’s split up. What the characters in any media of the horror genre ought to suggest doing at some point. Might be misconstrued as having to do with relationships, though.

Hands off my idiom, Breshnev! Should feature a picture of Breshnev on the front.

Fidelity Wars #52: The Moog Cookbook – “Buddy Holly”

Monday, November 9th, 2009

YouTube is full of amusing and enthralling videos which can easily eat up your time. One such video is the following which I was recently introduced to.

The song played is the cover of Weezer‘s “Buddy Holly” by The Moog Cookbook, a duo who performs covers using the renowned Moog analog synthesizers. They’re fun and well worth looking into. The actual tune from the album is a bit longer and takes a bit longer to get going; I’m guessing it was edited down by the film’s creator manually as I’ve not seen any kind of radio version of this track.

The Moog Cookbook – “Buddy Holly”

Moog Cookbook

Fidelity Wars #51: Jonathan Richman – “Vampire Girl”

Monday, November 2nd, 2009

It’s Halloween! Or, rather, it was Halloween. So this moderately suitable Halloween song is a few days late, but what’s a boy to do in this crazy mixed-up world.

Jonathan Richman is one of my all-time favourite singer-songwriter guys, and he’s not an easy man to sum up. He started out a dedicated loner, before becoming a playful romantic, and now becoming more of a continental lover of life. From his later middle period I give you the song “Vampire Girl” from his 1995 album You Must Ask The Heart, where he professes his fondness for girls dressed to look scary – what perhaps is today known as “goth chicks”.

Jonathan Richman – “Vampire Girl”

Jonathan Richman - You Must Ask The Heart
Does she cook beans? Does she cook rice?

Does she do ritual sacrifice?